memememememe
Jul. 28th, 2010 10:21 am-I'll respond by asking you five questions to satisfy my curiosity.
-Update your journal with the answers to your questions.
-Include this explanation and offer to ask other people questions.
Questions from
1. I dont know much about your early years in the SCA. When did you start playing and why?
When I was 16, my mother helped to run an arts festival in Burien, Wa. The SCA was invited to have a demo as a part of that festival. That was my first exposure to the SCA and I felt like I had just come home. I had a chance to make those Arthurian-based pre-Raphaelite costume that I loved and actually wear them somewhere. Most important, the concept of a place where people didn’t laugh at you for thinking honor and chivalry were worthy goals was exactly what I needed. This was in 1977, and since then I’ve been in and out of the SCA for various reasons, but I always come back, and I’m always happiest when I’m playing. I met my husband because, and most of my good friends, because of the SCA. Duke Frederick of Holland wrote a song years ago called, “When I Was a Little Boy” that describes being young and dreaming of Knights and Honor and Ladies Faire, and finding them in the SCA. I came for the dream, and stayed for the people, and the history.
2. You have an incredible SCA wardrobe - what is it about late period attire that you love?
I don’t know that it’s late period clothing that I love in particular. If it were just the clothes, I would have gone Elizabethan and not had so much trouble with the whole “Cavaliers aren’t period” thing. What happened is that I was looking for something new to keep me interested in the SCA after a bad case of burnout and started Rapier. In order to do this, I began what I thought was going to be an alternate person just for fighting. Well, she had a mind of her own, and I fell in love with the persona and everything about the period, and, well, that means clothes to match. Don’t get me wrong, I love the clothing, and the fact that there’s so much documentation and existent items, but I really am persona driven.
3. What one thing in the SCA have you not done that you still dream of achieving?
I don’t know that I have this kind of goal right now. I joke about wanting to be a Countess, but you have to be Queen first, and that’s dependent on someone else winning crown. J All of my awards and achievements in the SCA are things that happened to me while I was doing other things. I really like teaching, but I have no particular goals inside the SCA in that line. It’s one of the things that I’m very seriously searching for: What do I want to do next?
4. I know you have just jumped back into school. What is the best part about this new adventure?
Seriously? The on-line scholarly databases. All of the articles and sites that were denied to me as an independent costumer researcher became mine as soon as I had a student access password. Also, since I’m a student, American museums will actually take me seriously when I ask them for access to their collections.
5. You have sewn tons of lovely garments for the SCA and otherwise - what is your favorite project and why?
The next one, unless it’s boring stuff like shirts and more tourney clothes for myself. I’ve got a long-term bodies/stays/corset project in the works, trying to document the changes in corsetry from the 16th through the end of the 17th centuries. The research on that is fascinating. As far as actually sewing, I’m in the process of building myself a historically correct wardrobe from 1884, and that’s a lot of fun. I also REALLY like creating dance costumes, although I haven’t had much opportunity the last while.
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Date: 2010-07-28 05:35 pm (UTC); D
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Date: 2010-07-29 02:36 am (UTC)I guess . . .
Date: 2010-07-30 01:19 am (UTC)I will enjoy reading the others though.
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